Biopics and dramatic feature films are still ineligible.Īlso eligible: “Music-focused and individual music videos that together create a visual album (if videos are packaged and entered together as one cohesive film),” evidence of a trend spearheaded by Beyoncé's 2016 “Lemonade” film, and explored across genres, like in Halsey’s 2021 “If I Can’t Have Love, I Want Power.” The change better reflects the evolution of the music doc format, often a collection of verité and archival footage, like Apple TV’s “Billie Eilish: The World’s a Little Blurry”. The Recording Academy has lifted that requirement. Previously, to be nominated for the “best music film” category, 50% of the documentary footage had to be performance based. The number of those eligible in the “Big Four” categories - best new artists as well as album, song, and record of the year - has been decreased from 10 to eight nominees. That includes all credited artists, featured artists, songwriters, producers, engineers, mixers and mastering engineers, and differs from a decision made in 2021, which allowed anyone who worked on the album to receive a nomination. In addition to the AI rule, the Recording Academy announced that there have been swift changes made to other categories: now, to win a nomination for the album of the year category, a music creator has to account for at least 20% of the work. At the time, he described AI as “kind of scary but exciting,” adding: “We will just have to see where that leads.” The news arrives shortly after Paul McCartney announced on Tuesday that a forthcoming “last Beatles record” had been composed using artificial intelligence by extracting John Lennon’s voice from an old demo.
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